Since 2002, there have been nine Spider-Man films; which one is the best? The web-slinger from Marvel is one of the most well-known movie characters today, but it took a while for Hollywood to see how profitable he could be.
The wall crawler had only ever traveled to the small screen until relatively recently. He starred in a number of TV shows and movies with Nicholas Hammond, as well as in a number of well-known animated films like Spider-Man: The Animated Series.
However, that doesn’t mean that attempts to make Spider-Man a movie were not made. Younger fans might not be aware of how far the Friendly Neighborhood Web-Head has come over the past few decades, but Spider-Man has a rich history in the world of film.
Directors Tobe Hooper and James Cameron encountered obstacles in the 1980s and 1990s due to faltering production firms as well as the many transfers of Spider-Man movie rights.
In exchange for James Bond’s license, MGM awarded Columbia Pictures the rights to Spider-Man following lengthy legal battles and contentious discussions. After being hired, director Sam Raimi created the incredibly important Spider-Man Trilogy between 2002 and 2007.
Later in the decade, due to scheduling conflicts and creative disagreements, Raimi and Sony stopped their collaboration. In Marc Webb’s contentious duology, which was revived by Sony in 2012, Andrew Garfield took Tobey Maguire’s position as the main superhero.
However, as Sony and Marvel Studios teamed up in 2015, Garfield and Webb were quickly ousted. In 2017, the series underwent yet another revamp, this time with Jon Watts in charge of the movie adaptation starring Tom Holland.
Tom Holland’s Peter Parker is a staple of the MCU today, and it seems like yesterday when he made his internet-shattering unexpected debut in a Captain America: Civil War teaser. The future appears promising for Spider-motion Man’s picture adventures as well.
Soon enough, Spider-Man movies will surpass those of Batman and Superman, two other superhero classics. The success of each of his movie endeavors, however, has varied, as evidenced by the bumpy production history.
Here is all you need to know about the history of Spider-Man in cinema, from his pizza-delivering days to his intergalactic fights. We also rank all 11 Spider-Man films to date, from worst to greatest, and take a look at the impending Spider-Man films that will soon be vying for the top spot.
1. Italian Spiderman
Despite not being a serious effort and not being licensed by Marvel, the first Spider-Man movie on this list gets an honorable mention because of how significant it is to cinematic history. The 2007 spoof film Italian Spiderman by Australian director Dario Russo was first made available on YouTube as a trailer.
It deserves attention in its own right in part because it was one of the first indie films to become viral online. It still sparks debate as to whether Italian Spiderman is real because he was so adept at parodying the exploitation films of the 1970s and 1980s.
Although it was never a part of an official Marvel production, the figure has been embraced by many Marvel celebrities. He’s been mentioned by Chris Miller and Phil Lord as someone they’d like to work with again on a Spider-Verse project (via Cinemablend).
When seeing the Italian Spiderman movie (via What’s Trending), even Stan Lee was amused, offering the priceless remark, “They’ve done Spider-Man with a mustache… maybe we should have done that!”
Italian Spiderman was billed as a “lost” Spider-Man film and is purposefully shot to look like a 1960s or 1970s film. It is impossible to overstate how little the title character, an Italian Spiderman with no alter ego (played by David Ashby but given the name “Franco Franchetti”), has to do with Peter Parker.
Though many licensed comic book movies from the era it parodies were just as absurd when it came to adapting their source material, that’s part of the appeal of Italian Spiderman. Italian Spiderman utilizes shotguns, chain smokes, and rides a motorcycle.
Additionally, he doesn’t appear to be wearing anything resembling the recognizable Spider-Man outfit; rather, he sports a mustache, a burglar mask, and a red turtleneck with a clumsily drawn spider on the front.
The “story” of the Italian Spiderman has him in possession of a potent asteroid, and one of his superpowers is the ability to call up penguins at will.
Italian Spiderman may not be related to Spider-Man from the MCU or Sonyverse, but he is still one of the funniest and most inventive versions of the character to date. A licensed Italian Spiderman cameo in a Marvel project could occur in the near future as two Into the Spider-Verse sequels are in the works.
2. Spider-Man ’77 & Sequels
Before Tobey Maguire made his movie debut as Peter Parker in 2002’s Spider-Man, almost thirty years had passed since Once Upon A Time In the 1977 direct-to-TV film Spidey, actor Nicholas Hammond had his big break in Hollywood.
The Amazing Spider-Man, a 1977–1979 television series based on the character, was a precursor to Spider-Man ’77. Two independent sequels to Spider-Man ’77 were created: Spider-Man Strikes Back in 1978 and Spider-Man: The Dragon’s Challenge in 1981.
In place of his regular rogue’s gallery, Spidey faced off against gangsters and corporate crooks in both of the films, which saw Hammond reprise his role as Peter Parker. Spider-Man ’77, which contains writing credits from Stan Lee, made $9 million in total revenue throughout all regions where movie was theatrically released.
In any tiered list of Spider-Man movies, Spider-Man ’77 is out of date and doesn’t have enough good qualities to place it anywhere other than the bottom.
It was never going to be able to compete with the Spider-Man films that have come out subsequently, though, as it lacked their multimillion dollar budget and effects work. It shouldn’t be discounted as unimportant to the Spider-Man movie canon, though.
Although the physical effects are dubious even for the time, Hammond demonstrated in the 1970s that Peter Parker’s neighborhood shenanigans worked in real life, paving the way for Sam Raimi’s Spider-Man trilogy nearly three decades later.
Similar to how Adam West’s silly antics in Batman ’66 remain an important part of The Dark Knight’s cinematic history, Nicholas Hammond’s Kung-Fu-chopping, rope-throwing Peter Parker serves as a crucial precursor to the Sam Raimi trilogy, Andrew Garfield’s The Amazing Spider-Man, and the Tom Holland MCU iteration that fans have come to love in the 2020s.
3. Japanese Spider-Man (1978)
The 1978 Spider-Man film from Japan (known as “Japanese Spider-Man” by both fans and Marvel Studios) is unquestionably the oddest of all the licensed Spider-Man films when compared to the original.
Takuya Yamashiro, a character created by Shinji T.D., is a canon Spider-Man despite possessing weaponry and a mech in the Power Rangers or Gundam Wing style. He has made several appearances in Spider-Verse comics, and it has been announced that he will appear in Spider-Man: Across The Spiderverse.
Takuya is significantly different from Peter Parker, much like the Italian Spiderman parody. Takuya Yamashire goes by the moniker of the “Emissary from Hell” rather than the Friendly Neighborhood Spider-Man.
Japanese Spider-Man, like Spider-Man ’77, was a television add-on for the 1978–1979 TV series of the same name.
It was intentional to alter Spidey’s history for the Japanese version. Due to a collaboration between Marvel Comics and Toei toys, Spider-Man was introduced to Japan. The former was concerned that Peter Parker’s Westernized background wouldn’t be as popular with Japanese consumers.
To put it simply, Toei was fascinated in the Spider-Man aesthetic and premise but didn’t want to work with Peter Parker. Takuya Yamashiro was created as a result of this economic choice, and Japanese Spider-Man even had his own rogues’ gallery, which was primarily composed of ridiculous Godzilla-sized monsters.
It’s interesting to note that this Spidey’s influence extends outside of the Spider-Fandom. His mech, Leopardon, became so popular among Japanese children that Toei used the idea for a number of programs, including Battle Fever J, which served as the basis for Mighty Morphin Power Rangers.
Simply put, there wouldn’t be any Power Rangers if there wasn’t a Japanese Spider-Man. This cultural effect is what elevated it above Spider-Man ’77, despite the fact that both films are very much products of their eras and share about as much with the current Spider-Man films as the Italian Spiderman spoof did with them and their time.
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4. Spider-Man 3 (2007)
Despite being released more than ten years ago, fans continue to deride the first modern Spider-Man film. However, unlike Spider-Man ’77 or Japanese Spider-Man, this version of the character’s story is unable to chalk up its flaws to the limitations of its era.
Spider-Man 3 by Sam Raimi remains the least impressive Spider-Man film. The position for Tobey Maguire’s Peter Parker, who appears a year after Spider-Man 2, appears to be very favorable.
Now that he has successfully juggled his heroic obligations with his career, he intends to pop the question to his love, Mary Jane Watson (Kirsten Dunst).
The threat posed by the Sandman (Thomas Haden Church), the New Goblin (James Franco), and a specific black symbiote from outer space, however, quickly destroys this equilibrium.
Similar to Alien 3 and X-Men: The Last Stand, Spider-Man 3 has a negative notoriety for capping off a successful film series with a whimper rather than a bang. It’s safe to argue, though, that Spider-Man 3 isn’t as awful as its residual renown would imply, emo street dancing included.
Both of Peter’s subway fights with Sandman and his aerial battle with the New Goblin remain spectacular encounters. Speaking of Sandman, the villainous Spider-Man, he is the star of the movie’s most moving scene, in which his dissolving hands are unable to grip his daughter’s pendant due to an emotional blend of realistic CGI and a moving tune.
It’s a shame that this deftness is so little seen in the rest of the movie. Spider-Man 3 lumbers from one scene to the next because of the numerous subplots and confusions that it has.
The film’s weariness becomes apparent when Mary Jane is abducted for the third time in the series, and a large part of this is attributable to the addition of one character: Venom. Although Sony and director Avi Arad pushed for his inclusion, Sam Raimi was infamous for disliking this character.
As a result, both Venom and the overall symbiote arc, as well as the characters of Gwen and George Stacy played by Bryce Dallas Howard and James Cromwell, respectively, feel underdeveloped. Spider-Man 3 displays Raimi’s discontent throughout.
Although the movie is not the crime against cinema that it has frequently been presented as, it still leaves a somber and depressing mark on Spider-previous Man’s cinematic endeavors.
5. The Amazing Spider-Man 2 (2014)
Seven years after Spider-Man 3, The Amazing Spider-Man 2 was released. Despite this void and the negative reviews, Raimi’s film garnered, many of its flaws were reproduced in Spider-Man 3.
In Marc Webb’s second Spider-Man movie, Andrew Garfield must deal with Electro (Jamie Foxx), the evil of Oscorp and Harry Osborn (Dane DeHaan), and the mystery surrounding the deaths of his parents while also attempting to mend his strained relationship with Gwen Stacy (Emma Stone).
Undoubtedly, the movie is hectic. Sony changed the tone of Webb’s first The Amazing Spider-Man movie from a grounded one to one that was breezier and funnier in an effort to emulate The Avengers’ enormous popularity.
On top of that, they also attempted to create their own shared universe. In contrast to the multitude of tales and ideas, the new tone really works in favor of this historically lighthearted figure.
The Amazing Spider-Man 2’s plot is ruined by both of these Sony-planned films, which makes it all the more aggravating that they were never made. Both the Sinister Six movie and the following episode are obviously being set up by Sony, but they also interfere with the plot of the sequel.
Nevertheless, The Amazing Spider-Man 2 is still entertaining. Both Spider-fight Man’s with Electro in Times Square and his opening chase are thrilling. However, Emma Stone and Andrew Garfield hold the key to this movie.
The outcome is the kind of effortless, genuine chemistry that many other movies have struggled to produce because the two stars were dating at the time. As a result, the death of Gwen Stacey in The Amazing Spider-Man 2 is one of the most moving and well-acted scenes in superhero film history.
6. The Amazing Spider-Man (2012)
Despite receiving less positive reviews than its predecessors, Spider-Man 3 was so successful that production on two additional sequels started in earnest.
Along with the return of the original actors, filmmaker Sam Raimi, who was dissatisfied with Spider-Man 3’s results and wanted to revive the series’ grandeur, was also expected. Raimi left the project, however, in 2010, claiming he couldn’t make a good movie under Sony’s rigid production timeline.
The leading man and woman of Spider-Man 4 are leaving in support of Raimi. As a result, Sony started a new iteration of the franchise, this time with Marc Webb as the director, Andrew Garfield playing Spider-Man, and the adjective “awesome” added.
Despite initially promising to explore the untold tale of Peter Parker’s absent parents, Webb’s fresh interpretation of the Spider-Man mythos mainly just remixes Spidey’s origins. The Green Goblin and Mary Jane Watson are replaced with Gwen Stacy (Emma Stone) and the Lizard (Rhys Ifans), respectively, and the bullied, bookish Peter is recast as an awkward loner.
In the movie, the old and the modern are in perpetual struggle. Although it’s evident that Webb and company want to try something new, they are limited by the comics (not to mention the fact that Raimi’s original film successfully told Spidey’s story in the first place).
The Amazing Spider-Man makes an effort to improve upon these well-worn plot points, but the movie frequently comes out as disjointed when it does. Due to the modifications made to the underlying plot, Uncle Ben’s death loses some of its impact.
The protracted hunt Peter has conducted for Ben’s killer is also a good idea. Peter’s storyline is hampered by this modification in the setting of the movie. It’s not as clear as it ought to be how he developed from an arrogant young man with superpowers to a full-fledged superhero.
In spite of this, The Amazing Spider-Man is generally a respectable outing for the wall-crawler. Martin Sheen, who looks and sounds exactly like Uncle Ben should, and the rest of the new cast deliver outstanding performances.
The late James Horner’s gorgeous score elevates each action scene. If it had debuted later than it did, both Marc Webb’s gritty version and Andrew Garfield’s Spider-Man would have been welcomed with significantly greater enthusiasm.
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7. Spider-Man: Far From Home (2019)
Peter Parker wants Spider-Man to be the sidekick, despite the pressure from the outside world for him to take the lead.
The only thing Peter wants more than anything is a quiet summer vacation with his friends in Europe after Spidey was destroyed by Thanos (Josh Brolin) in Avengers: Infinity War and lost his beloved mentor soon after he was revived in Avengers: Endgame.
However, superspy Nick Fury (Samuel L. Jackson) has different plans. The reluctant superhero must be paired with the mysterious Mysterio to confront a new and terrifying threat (Jake Gyllenhaal).
It does take director Jon Watts some time to get into the flow of Spider-Man: Far From Home’s early act, but his growing confidence in his direction results in slicker, more spectacular action sequences and intriguing character moments that frequently rival its predecessor.
In addition, the movie features some of the best, most trippy graphics that have appeared (so far) in the MCU, thanks to Mysterio from Far From Home.
Die-hard fans may have anticipated Mysterio’s surprise before his explanation monologue, but this doesn’t take away from Gyllenhaal’s outstanding performance or the fact that he makes one of the most substantial socio-political allusions in a Spider-Man or Marvel film to date.
Spider-Man: Far From Home must, however, put in a lot of effort to reorient Spidey’s universe after Endgame and create his country-hopping adventures abroad, complete with spies, Skrulls, and the potential for the multiverse.
The movie frequently doesn’t feel like Spider-Man is the focus of his own quest due to the absence of familiar locations and the presence of several MCU connections.
Additionally, the appearance of E.D.I.T.H in Far From Home leaves a somewhat bitter aftertaste because it is in sharp contrast to what has already been established regarding Spider-morality Man’s and the larger society he lives in.
8. Spider-Man: Homecoming (2017)
Sony had to reconsider its shared world plan in light of The Amazing Spider-Man 2’s underwhelming critical response. In the end, Sony and Marvel Studios collaborated to release Spider-Man.
Even though Marvel conceptually controls Spider-franchise Man’s and is free to utilize him in their own films, Sony still owns the film rights to the characters and continues to produce each new installment.
After his experiences in Captain America: Civil War, Tom Holland’s Peter Parker wants to leave his high school behind in the Marvel Cinematic Universe, a world of superhero teams and extraterrestrial invasions.
Due to Peter’s youth and lack of experience, Iron Man (Robert Downey Jr.) rejects him, but when the evil Vulture begins peddling lethal weapons in Peter’s neighborhood, the budding hero sees an opportunity to do good—and establish a reputation for himself.
Despite the fact that Spider-Man had already appeared in Civil War, Spider-Man: Homecoming represented a new beginning for the series, which necessitated many alterations to his mythology.
For instance, Uncle Ben’s passing is simply hinted at, and Spidey now wears a technologically advanced outfit. Although some devoted fans were upset by this restructuring, it is totally understood why Sony and Marvel made these modifications.
It’s difficult to argue against the fact that the majority of these adjustments to the young hero were really successful. For Spider-Man: Homecoming, director Jon Watts studied teen comedies from the 1980s, and the result is a tone and pace that are perfectly suited for Spider-Man.
Sprightly and shrewd, the teenage Peter Parker in Homecoming captures the comedy and rebellious spirit of Spider-Man in a manner that few adaptations have been able to.
Tom Holland’s incredible talents and Michael Keaton, who plays a fearsome opponent, both significantly contribute to the success of the movie. In the third act of Homecoming, Keaton and Holland have a tense automobile trip that ranks among the best confrontations in the genre and gives the movie a chilling weight.
9. Spider-Man: No Way Home (2021)
Peter’s life has never been more hectic or in the public eye than it is now as a result of the shocking Far From Home post-credit scene.
Peter turns to Doctor Strange (Benedict Cumberbatch) for a magical solution because he is disheartened by the effect that his double life has had on his family and friends and desperate to reclaim some measure of privacy and control.
However, the multiverse is unlocked and Spidey receives a lot more than he bargained for when Peter’s indecision unintentionally triggers a mystical misfire.
The first thing to say about No Way Home is that, in terms of scope and ambition, it is unquestionably the biggest Spider-Man film. However, this is both a blessing and a curse, to paraphrase the title character of the film.
The early portions of No Way Home spend a lot of time trying to put a lot of different, unrelated pieces in place, including Peter’s family life and the many Spider-Man antagonists. It’s definitely clumsy sometimes and successful other times.
The sloppy CGI (such as the unexpectedly complicated Lizard) and even the uncomfortable conversation staging fall into this category.
A few characters are regrettably sidelined for lengthy periods of time, and there are a few subplots and relationships that require more room to breathe – as will many fans, who will be astounded by what happens.
Additionally, many viewers will be able to overlook Spider-Man: No Way Home’s flaws due to its contagious joy in what it is doing.
This third volume amply demonstrates Watts and company’s excitement for Spider-Man, and it is obvious that they are aware of many criticisms of both their series and the whole body of work produced by Marvel.
Easter eggs and Marvel references in No Way Home only serve to amplify this joyous mood. With the occasional hiccup, No Way Home successfully addresses the pathos/bathos imbalance that has plagued the Marvel Cinematic Universe; the sorrow and sacrifice that define Peter Parker are brought to the forefront, enhancing the performances of Tom Holland and his cast mates.
The MCU trappings and obsessive focus on Spider-prior Man’s movies mean that No Way Home won’t convince or welcome the uninitiated as Spider-Man: Into the Spider-Verse does, but it does include a lot of welcome advancements that will be talked about by Spidey-aficionados for some time.
No Way Home will undoubtedly satisfy viewers in some way, whether they perceive it as a calculated corporate cash-in or an honest celebration of a cherished figure, despite the fact that it is messy.
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10. Spider-Man (2002)
Sam Raimi’s Spider-Man debuted and solidified superheroes’ status in popular culture after Blade and X-Men started to popularize them. In the Raimi timeline, the original Spider-Man film set the standard for subsequent entries.
It quickly set records, became the top film of 2002, and is now regarded as one of the greatest superhero films ever made. Despite being almost two decades old, it is still obvious that Spider-achievements Man’s and the praise he continues to earn are well-deserved.
Sam Raimi’s love for the character is evident from Peter’s first web swing to that famed upside-down kiss. Given how sincere and thorough the account of Spidey’s beginnings is, as was already said, Marc Webb found it difficult to diversify his interpretation of the story, while Jon Watts chose to steer clear of any similarities and go on to other topics.
Additionally, Spider-Man gave J. Jonah Jameson by J.K. Simmons. Simmons’ casting has been universally praised as one of the best in the history of the genre, excellent in every way. She is irate and continuously heckling.
Additionally, it’s telling that Jameson wasn’t replaced in the Spider-Man films directed by Webb and Watts. Similar to how Tobey Maguire is still lauded for his shy and adorable portrayal of the character, despite the fact that many fans complain about his lack of one-liners.
Despite some lighthearted humor, Spider-Man is not afraid to explore some grim themes. Both the Green Goblin’s assault on Spider-Man in the third act and his attack on Aunt May are highly unsettling. The latter is very graphic for a superhero film and can turn off younger audiences.
Even still, it’s difficult to deny how significant and stirring this film can be, particularly during Spider-denouement, Man’s where Danny Elfman’s score really elevates that final scene. It’s a classic work of art that’s both old and new.
11. Spider-Man 2 (2004)
In addition to being one of the best Spider-Man films, Spider-Man 2 is also one of the best superhero films ever made. Furthermore, the fact that filmmaker Sam Raimi was able to outperform Spider-Man is no small accomplishment.
After Uncle Ben (Cliff Robertson) died two years ago, Peter Parker (Tobey Maguire) has continued to battle crime. Although it may be safer in New York, his personal life is in ruins.
As Mary Jane (Kirsten Dunst) is ready to marry another man, he is forced to watch as he struggles in college and is on the verge of bankruptcy. And when Otto Octavius, Peter’s new mentor, changes his name to Doctor Octopus, things get even worse.
There isn’t much more that can be said about Spider-Man 2 than has already been stated. Even yet, it’s impressive how accurately the movie captures the character in so many ways. Peter’s suffering, misery, and comedy are expertly captured by Tobey Maguire, who is at his finest in the part.
Although Raimi’s Peter may not be the comics’ motormouth, Maguire has more opportunities to make fun of other people than he had in the first movie. Additionally, with impeccable comic timing, he sells a lot of Peter’s mishaps and curses.
He is opposed by Alfred Molina, who plays Octavius. Despite being a much more psychotic character in the comics, Molina gives Doctor Octopus such a nuanced and sympathetic portrayal that he is generally cited as one of the greatest villains in superhero films.
Spider-Man 2 undoubtedly serves as a superb examination of the perils of power and the sacrifices associated with being a superhero in the shared tragedies of Peter and Otto. It helps that it’s also breathtaking to watch.
One of the best on-screen demonstrations of Spider-abilities Man’s is still the classic train fight, which continues to be a frenzy of action. And while the theatrical cut is excellent, Spider-Man 2.1’s release only improves on it, notably with the now-iconic scene of J.K. Simmons’ Jameson prance around in Spider- Man’s.
Bonus: Spider-Man: Into the Spider-Verse (2018)
Even though Spider-Man: Into the Spider-Verse is one of the newest films on this list, it is unquestionably one of the best films ever made.
There is a significant possibility that MCU-adjacent superhero weariness will eventually set in as the comic book movie genre continues to diversify; after all, audiences will only be interested in seeing individuals gain superpowers and save the day so many times before they get bored.
Sony overcame the odds, nevertheless, by exploring the as-yet unrealized potential of parallel universes. The three caped crusaders directors, Bob Persichetti, Peter Ramsey, and Rodney Rothman, have created a moving and ground-breaking film that has given new life to Spider-Man and the rest of the group.
Miles Morales, a Brooklyn youngster who lives in a reality where Spider-Man has been active for some time, is portrayed by Shameik Moore in Into the Spider-Verse. However, things quickly alter when he reluctantly gains Peter Parker’s wall-crawling abilities.
In order to preserve the multiverse from the Kingpin (Liev Schreiber), who is meddling in multiple universes and endangering all of reality, Miles must work with a number of different Spider-People.
Because of Spider-prominence Man’s in popular culture, including his use in memes and products as well as his legacy as a comic book legend, writers Phil Lord and Rodney Rothman create a movie that is highly conscious of this fact.
Even though Into the Spider-Verse explores every aspect of Spider-history, Man’s it never comes off as arrogant and never loses sight of what makes Spidey such a great figure for so many people.
Instead of just serving as Peter Parker’s (Jake Johnson) mantra, his fundamental principles of power and responsibility are reexamined and made accessible to all. To put it simply, anyone may embody Spider-Man.
But Into the Spider-Verse is more than simply an affectionate love letter to the wall-crawling hero; it’s also the funniest and cutest Spider-Man film yet. Every one of its action-packed chases and battles is filled with wisecracks and humorous asides, and its level of detail is just amazing.
The Spider-Man movie brings comic book worlds to life like never before, with each frame of Into the Spider-Verse concealing a hidden allusion and all of its characters animated in various animation idioms to reflect their respective home planets.
It just bubbles over with an unrestrained energy, warmth, and wit that sets it apart from the other Spider-Man movies listed above. The focus is primarily on Miles and Peter, so fans may not get to spend as much time with Peni Parker (Kimiko Glenn) or Spider-Man Noir (Nicholas Cage) as they’d like to.
However, given that Into the Spider-Verse will soon be the first in a trilogy, it seems very likely that their limited screen time will be made up for in the two upcoming films. Spider-Man: Into the Spider-Verse is undoubtedly one of the best animated films – and superhero flicks – ever made, however time will finally judge its lasting impact.
Could Across the Spider-Verse 2 Become the Best Spidey Property? Everything We Know
The Spider-Man: Across the Spider-Verse parts 1 and 2 sequels have a lot to live up to, so it’s understandable to worry if they will match the legendary stature of the first film.
Into the Spider-ground-breaking Verse’s animation style, which is a love letter to the look of comic books, is a major factor in the film’s success. But now that it’s been done, the follow-up will need to keep pushing the envelope creatively to stay fresh.
The fact that each Spider-Verse has its unique visual aesthetic, as disclosed by Spider-Man: Across the Spider-creators, Verse’s suggests that this is the case.
In contrast to how several Spider-People (and one Spider-Pig) were introduced to Miles’ world in Into the Spider-Verse, the sequel will have him traveling to many realities on his own.
With the characters, the narrative, and the art even more diverse thanks to this new plot structure, Across the Spider-Verse should be able to emerge from the shadow created by its predecessor.
Fans won’t have to wait long to find out if Spider-Man: Across the Spider-Verse part 1 is the best Spider-Man film ever as it’s scheduled to release in 2023.